Gallery · Room 04 · Italy, 1909–1916
Futurism
Italian artists in love with speed, machines and the noise of the modern city.

Wall text
On 20 February 1909 the Italian poet Filippo Tommaso Marinetti published the Manifesto of Futurism on the front page of the Paris newspaper Le Figaro. It praised speed, machines and the modern city, called a racing car more beautiful than the Victory of Samothrace, and promised to free Italy from museums that it said covered the country like cemeteries.
Painters soon followed. In 1910 Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla and Gino Severini signed the Manifesto of the Futurist Painters. They borrowed the broken color of neo-impressionism and the fractured planes of Cubism to paint the energy and motion of modern life. Russolo went further: in 1913 he published The Art of Noises and built noise-making machines.
Boccioni died in 1916 after he was thrown from his horse during cavalry training. By then the original group had already split apart. Futurism's worship of speed and violence later fed into Italian Fascism, a legacy that sits alongside its influence on modern design.

