Gallery · Room 11 · Europe and US, 1960s
Op Art
Paintings that make your eyes do the work: stripes and patterns that seem to move.
Wall text
Op Art uses lines, bands, grids and flat color to trigger the eye's own responses: vibration, flicker, depth and motion where none exists. Victor Vasarely was one of its originators, and Bridget Riley and Jesús Rafael Soto were among its leading figures.
In 1965 MoMA's exhibition The Responsive Eye showed more than 120 works by 99 artists. Its curator, William C. Seitz, presented them less as objects to examine than as generators of responses in the eye and mind. Riley's Current was on the catalogue cover.
The look soon spread into fashion and advertising. Its effects are now everyday design tools, from moiré patterns to loading animations, and they still need care: at full scale, high-contrast stripes can be uncomfortable to look at.